#Chatterbox movie movie#

I saw this movie on the big screen when I was a teenager. Look for DeSimones' actor brother Bob as a cabbie.

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DeSimone does know how to send his viewers away with an amused smile, with a resolution that is perfectly fitting for the situation. The laughs may not always be there, but they occur frequently enough. But the show really rests on the capable shoulders of Rialson, who's winning as the reluctant starlet. Rip Taylor, Professor Irwin Corey, and Sandra Gould add to the fun with their guest star appearances. Jane Kean plays the mother who changes her tune when she realizes the profit to be made from her daughters' 'talent'. Gelman is fine as the shrink turned agent. The performances are energetic and engaging. The songs, such as 'Wang Dang Doodle', are insidiously upbeat and catchy.

The truth of the matter is, it's really pretty harmless, and doesn't really qualify as adult fare. Scripted by Mark Rosin & Norman Yonemoto, based on a story by director Tom DeSimone, 'Chatterbox!' may be a pretty crude affair, but it's undeniably quite charming and funny.

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Penelope & Virginia perform on several TV programs, but Penelope is suffering a great deal of embarrassment. Pearl (Larry Gelman), and shows him flat out what her problem is, he realizes that he can make her/them a star and becomes an agent. When Penelope goes to a psychiatrist, Dr.

This vagina is a horny, saucy character who also has quite the singing voice. Out of the blue one night, while she is with her boyfriend Ted (Perry Bullington), her vagina just starts talking up a storm. A choice wacky chunk of vintage 70's lowbrow humor.Įver lovely Candice Rialson, one of the queens of drive-in movies in the 1970s, stars here as Penelope Pittman, a hairdresser in a beauty salon.

Moreover, the boom mike dips into the top of the frame at alarmingly frequent intervals. Tak Fujimoto's polished cinematography gives the movie a nice slick look. Jo, Cynthia Hoppenfeld as Penny's loyal best gal pal Linda Ann, Michael Taylor as hunky romantic stud Dick, and Robert Lipton as pretentious hardcore film director Jon David. The supporting cast is likewise up to par: Perry Bullington as Penny's clumsy nice guy lover Ted, Jane Kean as Penny's proud, supportive mother Eleanor Pittman, Rip Taylor as Penny's effeminate gay boss Mr. The ravishing Rialson just barely manages to retain her dignity in the rather thankless lead role and bares her lovely body as often as possible. Besides the talking vagina gimmick, we also get hilariously bawdy jokes about predatory lesbians, preening homosexuals, and, of course, sex. Director Tom DeSimone, working from a cheerfully crass and silly script by Mark Rosin and Norman Yonemoto, milks a lot of infectiously naughty laughs out of the one-joke premise, maintains a zippy pace throughout, and keeps the raunchiness at bay by effectively creating a surprisingly zany and good-natured tone. Pearl (affably essayed by Larry Gelman) turns Penny and her foul-mouthed speaking cervix (who's affectionately named Virginia) into an unlikely reluctant celebrity: Penny and Virginia appear as guests on Professor Irwin Corey's TV show, record a funky hit disco song called 'Wang Dang Doodle,' have sex with a whole high school basketball team, pop up on a game show, and star in a musical porno feature surrounded by dancing and singing men dressed up in chicken costumes (this latter particular jaw-dropping sequence rates as the definite gut-busting surreal highlight of the entire picture). Sweet hairdresser Penny Pittman (a typically charming and radiant performance by lovely blonde 70's drive-in cinema starlet Candice Rialson) discovers that her vagina can talk and sing.